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Attilio Piccirilli (May 16, 1866 - October 8, 1945) was an American sculptor. Born in the province of Massa-Carrara, Italy, he was educated at the Accademia di San Luca of Rome. ==Life and career== Piccirilli came to the United States in 1888 and worked for his father and then with the Piccirilli Brothers as a sculptor, modeler and stone carver at their studio in the Bronx, NY, at 467 East 142nd Street. This location is now a vacant lot. As artist in his own right, he is the author of the Maine Memorial in Columbus Circle, at the entrance to Central Park. One of the groups that he created for this monument was also used for his mother’s memorial in Woodlawn Cemetery. Also in New York he created a pediment and other sculptural details for the Frick Mansion on 5th Avenue and the Firemen's Memorial, a group of figures in Riverside Park. As Piccirilli gained fame, he became invaluable to many American sculptors. Before Piccirilli and his family arrived in America, many American artists were forced to travel to Italy to have their models carved into stone. In the case of Attilio, if an artist presented him with small plaster model, Attilio could create a marble replica to any size. In fact, the vast majority of Attilio’s works were designed by other artists. Fragilina is one of the view works that was designed and sculpted into marble by Attilio himself. Piccirilli’s most famous work is the creation of the Lincoln statue for the Lincoln Memorial in Washington, which was originally designed by Daniel Chester French. Attilio and his family collaborated with Paul Eartlett, Frederick MacMonnies, Hermon MacNeil, Massey Rhind, Karl Bitter, Augustus Saint-Gaudens, Olin Warner, Lorado Taft, Charles Niehaus, and Andrew O’Connor. Piccirrili also did architectural work for Cass Gilbert, Henry Bacon, McKim, Mead, and White, Carrére, and Hastings.〔Tolles, p.214.〕 Attilio’s most famous works that which he designed and sculpted are the Maine Monument in Central Park, New York and the Fireman’s Monument on Riverside Drive, New York. Piccirilli became a member of the National Academy of Design and the Architectural League. He won numerous prizes including a Gold Medal at the Panama Pacific Exposition in San Francisco in 1915. Attilio also helped create the Leonardo da Vinci Art School in New York City, New York. Its purpose was to give affordable training in art, like sculpture, to New York’s poor. Piccirilli’s 1935 Pyrex glass relief sculpture ''Advance Forever, Eternal Youth'' over the entrance of the Palazzo d'Italia at Rockefeller Center was removed during World War Two when the Italian inscriptions were used by Mussolini,〔(【引用サイトリンク】title=ADVANCE FOREVER ETERNAL YOUTH by Attilio Piccirilli )〕 and it was associated with fascist iconography. It disappeared from storage some years afterwards. Piccirilli is represented in the sculpture collection at Brookgreen Gardens. His work is also found in museums around the United States. White marble "Fragilina" now stands in the newly re-arranged American Wing of the Metropolitan Museum of Art in New York. He died in New York City in 1945. His half-length portrait by Edmond Thomas Quinn is in the collection of the National Academy of Design.〔It is illustrated in David Bernard Dearinger, ''Paintings and Sculpture in the Collection of the National Academy of Design'' 2004:455.2004:455〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Attilio Piccirilli」の詳細全文を読む スポンサード リンク
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